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Product Id: 91.03.010.15
Quick Overview
Brand - Canon
Compact and affordable, the EF-S 18-55mm f/3.5-5.6 IS II is an ideal general-purpose standard zoom. Its four-stop Image Stabilizer provides great performance in low-light conditions.
Take a look at a more detailed look into the Canon EF-S 18-55mm f/3.5-5.6 IS II
The EF-S 18-55mm f/3.5-5.6 IS II is a high-quality, standard zoom lens that will appeal to photographers who prefer to travel light. With a focal length equivalent of 29-88mm in 35mm format, the lens’ wide zoom range is suitable for most general photography. For close-up work, the working distance is just 0.25m (25cm) throughout the zoom range.
To minimise risk of image blur, the EF-S 18-55mm f/3.5-5.6 IS II incorporates Canon’s four-stop Image Stabilizer technology. This allows photographers to use shutter speeds up to four times slower than normal with no perceptible increase in image blur - ideal for shooting in low light.
As well as ensuring true colour balance and sharp, high contrast images, Super Spectra coatings combat ghosting and flare by absorbing light reflecting off digital camera sensors or internal lens elements. An aspherical lens element delivers crisp, high contrast images - even with the aperture fully open.
For shots taken at wide apertures, a circular aperture diaphragm gives a smooth, even blur to your background, helping to emphasise foreground subjects and remove distractions.
Only environmentally-friendly, lead-free glass is used in the construction of the EF-S 18-55mm f/3.5-5.6 IS II.
The EF-S 18-55mm f/3.5-5.6 IS II is supplied with a lens cap and dust cap. A lens hood (EW-60C) and lens soft case (LP814) are available as optional accessories.
Brand - Canon, Model - Canon EF-S 18-55mm 1:3.5-5.6 IS III, Lens Type - Zoom Lens, Focal Length - 18-55mm, Focal Length Ranges - Standard, Lens Mount - Canon EF-S, Max Format size - APS-C, Maximum Aperture - f/3.5-5.6, Minimum Aperture - F22-38, Aperture Ring - No, Number of Diaphragm - 6, Aperture Notes - 6 Blades circular aperture, Optic Elements - 11, Optic Groups - 9, Minimum Focus - 0.25m, Maximum Magnification - 0.34x, Autofocus - Yes, Motor Type - Ring-type non-ultrasonic, Filter Size - 58mm, Compatible With - Canon eos 1200D, 1300D, 1500D, 3000D, 4000D, 600D, 650D, 700, 750D, 760D, 800D, 8000D, 60D, 70D, 80D, Weight - 200gm, Diameter - 68.5mm, Length - 70mm, Colour - Black, Announced - Feb 7, 2011, Viewing Angle - 73.1degree - 27.3degree, Warranty - 1 year
If you recently purchased your first DSLR or mirrorless camera, you probably know it won’t reach its true potential unless you add a few lenses to your basket. Your DSLR purchase could turn into wastage of money if you don’t ever replace the kit lens that came with the camera. Invest in a new lens will certainly bring a huge boost to image quality. Buying a new lens could be intimidating, as you must dive deep into the world of lenses for making an informed purchase. We can always consult with our experts at Ryans either online or physically visiting your nearby Ryans showroom. However, this article aims to help you out with building a greater understanding of lenses.
There are five different parameters that you need to take into consideration while purchasing a lens for your camera. Let’s take a closer look at all these parameters one by one.
Lens Speed
Lens Speed is the first thing you need to take into account while purchasing a lens for your DSLR. Lens Speed describes the maximum aperture of the lens. Aperture is a hole within a lens, which allows light to travel into the camera sensor. You can shrink or enlarge the size of the aperture to allow more or less light to reach your camera sensor. It is described as a number with the letter F next to it. The smaller the number the larger the hole and more light can get passed at a time. This means that the shutter speed can be quicker and means the lens is faster.
The maximum aperture of a camera will help you work out several things.
A fast lens for instance with a maximum aperture of f/1.4 is capable of taking shots in a lot darker places than a lens with a maximum aperture of f/4 or f/5.6.
A faster lens will also allow you to take pictures of moving subjects and freeze them better.
Faster lenses let you have a shallower depth of field. This means that when you’re focusing upon a subject the foreground and background will be blurrier. Of course, having a very fast lens means that this can make focusing trickier as your depth of field is very shallow. Of course, you can shoot at a smaller aperture with a fast lens to make your depth of field deeper.
Faster lenses will help with your flash photography too as they capture more ambient light.
Focal Length
Focal length allows you to change the perspective of your shot without having any movement. A shorter focal length, like a 24mm one, will allow you to capture a wider slice of the scene. On the other hand, a longer focal length, such as a 200mm, allows you to get closer to the action. That’s why longer lenses are used for capturing distant objects and shorter lenses are good for capturing landscapes. The focal length of a lens tells you how much it will magnify your subject when photographing it. It will also tell you what kind of angle of view you’ll get.
Focusing Distance
This is the measurement between the end of your lens and the nearest point that it can focus. It’s particularly useful to know if you’re interested in Macro or close up photography.
Image Stabilization
Many mirrorless cameras have image stabilization built into the body to help eliminate camera shake. However, this feature is quite rare in DSLRs. If you want stabilization on a camera that doesn’t have it built-in, you have to buy a lens that comes with this feature. Manufacturers use various tags to denote this feature, from Canon’s IS (Image Stabilization) to Nikon’s VR (Vibration Reduction) to Sony’s OSS (Optical Steady Shot).
Stabilization isn’t always necessary for still photography — shooting at a fast shutter speed will also keep things nice and sharp. However, when working in low light at slow shutter speeds, shooting video in any conditions, or using a very long focal length, stabilization is very important. Stabilization is more common in zoom lenses, less so on primes where the wider apertures let you shoot faster shutter speeds.
by MINA
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