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Product Id: 91.03.035.14
Quick OverviewBrand - Nikon
With the Vibration Reduction (VR) equipped AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR on your DX-format DSLR, you'll be ready for anything. Part of Nikon's new "P" series of lenses, it uses a pulse motor (utilizing stepping motors) for ultra-fast, near silent autofocus and two Aspherical lens elements for outstanding optical performance. Capture wide landscapes and group photos one moment, then tight portraits, family sporting events and smooth HD video the next—all with phenomenal clarity and precision. VR image stabilization enhances your camera's low-light capabilities and keeps your videos steady. Compact, lightweight and extremely versatile, this lens will be your gateway to better photography.
This is a lens you'll take everywhere. Its 3.1x zoom range covers the highly versatile 18–55mm focal length range, great for everything from wide group shots and landscapes to family sports and portraits, even in dim lighting. A retractable barrel keeps the lens extremely compact, and its sleek, lightweight design perfectly complements Nikon's latest DX-format DSLRs. Shoot beautiful photos and HD videos with ease.
Unleash the potential of your camera's high-resolution sensor. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR features the superb optics and advanced technology used on Nikon's high-end lenses. Two Aspherical lens elements achieve superior optical performance, giving your photos and videos rich, vibrant colors, deep contrast, minimal distortion and beautiful soft backgrounds, even in less than ideal conditions.
Nikon's Vibration Reduction (VR) technology offsets the shakiness of handheld shooting for sharper photos and steady videos. In low-light situations, VR lets the camera use a slower shutter speed* to capture sharp photos—without blur. VR image stabilization gives you the benefits of a tripod without any extra gear. Switch between Autofocus and Manual Focus or turn VR on and off using the camera menu**. With no switches on the lens barrel, you have no chance of accidentally changing settings when you want to take the shot.
Nikon's new "P" series of NIKKOR lenses use a pulse motor (utilizing stepping motors) to focus smoother and quieter than previous drive systems. Bring subjects into focus instantly with absolute precision. When recording video, smoothly shift focus from subject to subject with practically no drive noise.
A lens with a curved, non-spherical surface. Used to reduce aberrations and enable a more compact lens size. Aspherical lenses minimize coma and other types of lens aberrations, even when used at the widest aperture. They are particularly useful in correcting distortion in wide-angle lenses and help contribute to a lighter, more compact design by reducing the number of standard (spherical) elements necessary. Aspherical lens elements correct these distortions by continuously changing the refractive index from the center of the lens.
Select NIKKOR lenses have a focusing mode which allows switching from automatic to manual focusing with virtually no lag time by simply turning the focusing ring on the lens. This makes it possible to seamlessly switch to fine manual focusing while looking through the viewfinder.
Nikon Super Integrated Coating is Nikon's term for its multilayer coating of the optical elements in NIKKOR lenses.
A Nikon in-lens technology that improves image stability by automatically compensating for camera shake. Lenses that offer VR will feature the abbreviation VR on the lens barrel.
Nikon's "P" series of NIKKOR lenses use a pulse motor (utilizing stepping motors) to focus smoother and quieter than previous drive systems. This quiet drive system makes the lenses ideal for use when shooting video.
Brand - Nikon, Model - Nikon AF-P DX NIKKOR 18-55mm f/3.5-5.6G, Lens Type - Zoom lens, Focal Length - 18-55mm, Focal Length Ranges - Standard, Lens Mount - Nikon F (DX), Max Format size - APS-C / DX, Maximum Aperture - F3.5-5.6, Minimum Aperture - F22-38, Aperture Ring - No, Number of Diaphragm - 7, Aperture Notes - Rounded Diaphragm, Optic Elements - 12, Optic Groups - 9, Minimum Focus - 0.25 m (9.84 inch), Maximum Magnification - 0.38x, Autofocus - Yes, Motor Type - Stepper motor, Filter Size - 55 mm, Intended Use - Landscapes, Sports, Portraiture, Compatible With - Nikon D3300, D3400, D500, D5200, D5300, D5500, D5600, D7100, D7200, D7500, Weight - 195gm, Diameter - 65 mm (2.54 inch), Length - 63 mm (2.46 inch), Colour - Black, Announced - Jan 5, 2016, Viewing Angle - 76degree - 28.50degree, Warranty - 1 year
If you recently purchased your first DSLR or mirrorless camera, you probably know it won’t reach its true potential unless you add a few lenses to your basket. Your DSLR purchase could turn into wastage of money if you don’t ever replace the kit lens that came with the camera. Invest in a new lens will certainly bring a huge boost to image quality. Buying a new lens could be intimidating, as you must dive deep into the world of lenses for making an informed purchase. We can always consult with our experts at Ryans either online or physically visiting your nearby Ryans showroom. However, this article aims to help you out with building a greater understanding of lenses.
There are five different parameters that you need to take into consideration while purchasing a lens for your camera. Let’s take a closer look at all these parameters one by one.
Lens Speed is the first thing you need to take into account while purchasing a lens for your DSLR. Lens Speed describes the maximum aperture of the lens. Aperture is a hole within a lens, which allows light to travel into the camera sensor. You can shrink or enlarge the size of the aperture to allow more or less light to reach your camera sensor. It is described as a number with the letter F next to it. The smaller the number the larger the hole and more light can get passed at a time. This means that the shutter speed can be quicker and means the lens is faster.
The maximum aperture of a camera will help you work out several things.
A fast lens for instance with a maximum aperture of f/1.4 is capable of taking shots in a lot darker places than a lens with a maximum aperture of f/4 or f/5.6.
A faster lens will also allow you to take pictures of moving subjects and freeze them better.
Faster lenses let you have a shallower depth of field. This means that when you’re focusing upon a subject the foreground and background will be blurrier. Of course, having a very fast lens means that this can make focusing trickier as your depth of field is very shallow. Of course, you can shoot at a smaller aperture with a fast lens to make your depth of field deeper.
Faster lenses will help with your flash photography too as they capture more ambient light.
Focal length allows you to change the perspective of your shot without having any movement. A shorter focal length, like a 24mm one, will allow you to capture a wider slice of the scene. On the other hand, a longer focal length, such as a 200mm, allows you to get closer to the action. That’s why longer lenses are used for capturing distant objects and shorter lenses are good for capturing landscapes. The focal length of a lens tells you how much it will magnify your subject when photographing it. It will also tell you what kind of angle of view you’ll get.
This is the measurement between the end of your lens and the nearest point that it can focus. It’s particularly useful to know if you’re interested in Macro or close up photography.
Many mirrorless cameras have image stabilization built into the body to help eliminate camera shake. However, this feature is quite rare in DSLRs. If you want stabilization on a camera that doesn’t have it built-in, you have to buy a lens that comes with this feature. Manufacturers use various tags to denote this feature, from Canon’s IS (Image Stabilization) to Nikon’s VR (Vibration Reduction) to Sony’s OSS (Optical Steady Shot).
Stabilization isn’t always necessary for still photography — shooting at a fast shutter speed will also keep things nice and sharp. However, when working in low light at slow shutter speeds, shooting video in any conditions, or using a very long focal length, stabilization is very important. Stabilization is more common in zoom lenses, less so on primes where the wider apertures let you shoot faster shutter speeds.