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Product Id: 91.03.035.24
Quick OverviewBrand - Nikon
If you're looking for an outstanding grab-and-go lens—the kind you'll keep on your camera for nearly every situation—check out the new AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR. Optimized to draw full potential from Nikon’s high-resolution DX-format image sensors, it delivers beautiful ultra-sharp photos and videos with softly blurred backgrounds. Its versatile 7.8x zoom range (18mm to 140mm) lets you shoot everything from wide-angle family portraits to telephoto close-ups on the sports field. 4 stops of VR image stabliization means sharper handheld photos and video, especially when shooting in low light or at maximum focal length. You can even get as close as 1.48-feet from your subject for macro-style close-ups!
7.8x wide-angle to telephoto zoom
Developed with high pixel count D-SLRs in mind, the AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR delivers vibrant, detail-rich photos and videos across its entire zoom range. Zoom out for an 18mm wide-angle view that’s great for group shots, landscapes or any time you need to fit more into the frame. Zoom in for 140mm of telephoto reach—enough zoom to capture close-ups of your favorite player from the sidelines. In between, you have standard views similar to what you see with your eyes and medium telephoto views ideal for portraits. Whatever shot comes your way, you’ll be ready to catch it.
The VR image stabilization advantage
The AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR versatility is strengthened by 4 stops of VR image stabilization. Capture sharp, shake-free handheld photos and videos in low-light situations, when you want to use slower shutter speeds, and at telephoto distances, when even the smallest amount of camera shake can ruin a shot.
Advanced Nikon technology and superb NIKKOR optics
AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR is an advanced lens designed to get the most from high-resolution Nikon D-SLRs. In addition to VR image stabilization, it uses ED (Extra-low Dispersion) glass, which virtually eliminates reflections and lens flare for better contrast and Aspherical (AS) lens elements for minimizing aberration and improving image integrity and color. Nikon’s remarkable Silent Wave Motor (SWM) provides ultra-fast, ultra-quiet autofocusing, a major advantage when recording video. And, of course, the AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR has NIKKOR’s renowned quality of construction and outstanding optics.
ED Glass is an optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations. Super ED glass exhibits an even lower refractive index and lower light dispersion than ED glass, while excelling at eliminating secondary spectrum and correcting chromatic aberration.
A Nikon in-lens technology that improves image stability by automatically compensating for camera shake. Lenses that offer VR will feature the abbreviation VR on the lens barrel.
AF-S NIKKOR lenses feature Nikon’s Silent Wave Motor (SWM). This technology converts “traveling waves” into rotational energy to focus the optics. This enables high-speed autofocusing that's extremely accurate and super quiet.
A NIKKOR lens in which only the internal lens group shifts during focusing. Thus, IF NIKKORS do not change in size during AF operation, allowing for compact, lightweight lenses capable of closer focusing distances. These lenses will be designated with the abbreviation IF on the lens barrel.
A-M stands for Auto-Manual Mode. Thanks to a mechanism incorporated in the lens barrel, smooth focusing operation in Manual focus mode is realized in the same way as users have become accustomed to with conventional manual-focus lenses by adding an appropriate torque to the focus ring.
Nikon Super Integrated Coating is Nikon's term for its multilayer coating of the optical elements in NIKKOR lenses.
AS stands for Aspherical lens elements. This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration.
Brand - Nikon, Model - DX 18-140mm F3.5-5.6 ED VR, Lens Type - Zoom lens, Focal Length - 18-140mm, Focal Length Ranges - Wide-Angle to Telephoto, Lens Mount - Nikon F (DX), Max Format size - APS-C / DX, Maximum Aperture - F3.5-5.6, Minimum Aperture - F22-38, Aperture Ring - No, Number of Diaphragm - 7, Optic Elements - 17, Optic Groups - 12, Minimum Focus - 0.45 m (17.72"), Maximum Magnification - 0.23x, Autofocus - Yes, Motor Type - Ultrasonic, Filter Size - 67mm, Intended Use - Landscapes, Interiors, Nature, Wildlife, Compatible With - Nikon D3200, D5300, D5500, D5600, D7100, D7200, D7500, Weight - 490gm, Diameter - 78 mm (3.07"), Length - 97 mm (3.82"), Colour - Black, Warranty - 1 Year, Announced - Aug 6, 2013, Viewing Angle - 11.30degree - 75degree
If you recently purchased your first DSLR or mirrorless camera, you probably know it won’t reach its true potential unless you add a few lenses to your basket. Your DSLR purchase could turn into wastage of money if you don’t ever replace the kit lens that came with the camera. Invest in a new lens will certainly bring a huge boost to image quality. Buying a new lens could be intimidating, as you must dive deep into the world of lenses for making an informed purchase. We can always consult with our experts at Ryans either online or physically visiting your nearby Ryans showroom. However, this article aims to help you out with building a greater understanding of lenses.
There are five different parameters that you need to take into consideration while purchasing a lens for your camera. Let’s take a closer look at all these parameters one by one.
Lens Speed is the first thing you need to take into account while purchasing a lens for your DSLR. Lens Speed describes the maximum aperture of the lens. Aperture is a hole within a lens, which allows light to travel into the camera sensor. You can shrink or enlarge the size of the aperture to allow more or less light to reach your camera sensor. It is described as a number with the letter F next to it. The smaller the number the larger the hole and more light can get passed at a time. This means that the shutter speed can be quicker and means the lens is faster.
The maximum aperture of a camera will help you work out several things.
A fast lens for instance with a maximum aperture of f/1.4 is capable of taking shots in a lot darker places than a lens with a maximum aperture of f/4 or f/5.6.
A faster lens will also allow you to take pictures of moving subjects and freeze them better.
Faster lenses let you have a shallower depth of field. This means that when you’re focusing upon a subject the foreground and background will be blurrier. Of course, having a very fast lens means that this can make focusing trickier as your depth of field is very shallow. Of course, you can shoot at a smaller aperture with a fast lens to make your depth of field deeper.
Faster lenses will help with your flash photography too as they capture more ambient light.
Focal length allows you to change the perspective of your shot without having any movement. A shorter focal length, like a 24mm one, will allow you to capture a wider slice of the scene. On the other hand, a longer focal length, such as a 200mm, allows you to get closer to the action. That’s why longer lenses are used for capturing distant objects and shorter lenses are good for capturing landscapes. The focal length of a lens tells you how much it will magnify your subject when photographing it. It will also tell you what kind of angle of view you’ll get.
This is the measurement between the end of your lens and the nearest point that it can focus. It’s particularly useful to know if you’re interested in Macro or close up photography.
Many mirrorless cameras have image stabilization built into the body to help eliminate camera shake. However, this feature is quite rare in DSLRs. If you want stabilization on a camera that doesn’t have it built-in, you have to buy a lens that comes with this feature. Manufacturers use various tags to denote this feature, from Canon’s IS (Image Stabilization) to Nikon’s VR (Vibration Reduction) to Sony’s OSS (Optical Steady Shot).
Stabilization isn’t always necessary for still photography — shooting at a fast shutter speed will also keep things nice and sharp. However, when working in low light at slow shutter speeds, shooting video in any conditions, or using a very long focal length, stabilization is very important. Stabilization is more common in zoom lenses, less so on primes where the wider apertures let you shoot faster shutter speeds.